The US presidential election is a dominant force in the news cycle, with even shortened races like the one between Kamala Harris and Donald Trump feeling never-ending. These races, along with down-ballot contests, are of great significance, yet movies about US elections often fail to capture the urgency and complexity of the process. Films like All the King’s Men and The Candidate have attempted to portray the iterative nature of campaigns, showcasing the toll it takes on candidates. However, modern election movies struggle to offer fresh perspectives, often feeling like uninspired retreads of familiar themes.
The Front Runner, a lesser-known drama about Gary Hart’s failed presidential bid, highlights the impact of tabloid-style press coverage on politics. In the realm of election comedies, films like Speechless and Black Sheep fall short of delivering sharp satire, opting for contrived humor instead. Bulworth stands out for its satirical approach to political commentary, but even it falls short in some areas. Finding the balance between sincerity and slapstick is a challenge, as seen in the lackluster reception of films like Irresistible.
Despite the difficulties in capturing the essence of US elections on screen, films like Election and Nashville have succeeded by exploring the human dynamics and pettiness inherent in political campaigns. These movies offer a more nuanced and organic portrayal of elections, allowing the audience to experience the atmosphere without being overtly manipulated by hero-villain narratives. Ultimately, election movies serve as a reflection of the enduring nature of the political process, conveying both the continuity and uncertainty that define modern democracy.