It may be tempting to draw parallels between Chromakopia and Kendrick Lamar’s Mr. Morale & the Big Steppers, the last event rap album that also served as a 73-minute-long therapy session. However, it’s important to remember that 15 years ago, Tyler Okonma introduced Dr. TC, his therapist character, on his debut record Bastard. The absence of his father has been a recurring theme in Tyler’s music, despite his claims of moving on from the trauma. The image of Tyler, the Creator has evolved over the years, but the rawness with which he confronts his contradictions and constructs his own mythos remains a constant in his growth as an artist.
The anticipation leading up to Chromakopia hinted at a new era for Tyler, the Creator, with a new visual aesthetic and a main character inspired by Norton Juster’s The Phantom Tollbooth. Each of his recent alter egos, from Tyler Baudelaire to the characters in IGOR and Flower Boy, offers a glimpse into his psyche, showcasing softer, more introspective sides of himself. With Chromakopia, Tyler sheds the facade of his previous personas and delves into a more personal exploration, confronting his conflicted personality and disparate styles.
The album captures a sense of self-reflection and introspection, steering away from shock factor and embracing confessionalism. While the music may be chaotic and overwhelming, it reflects Tyler’s tumultuous journey and inner struggles. The album weaves together a diverse range of tracks, each contributing to the overall narrative of self-discovery and empathy.
One of the standout elements of Chromakopia is Tyler’s attempt to turn self-exploration into empathy, displaying a desire for connection and understanding. The album explores themes of vulnerability, commitment, and family, with Tyler’s mother serving as a guiding presence throughout. The revelation about his father’s absence and his mother’s admission of responsibility add layers of complexity to Tyler’s introspection, prompting him to reevaluate his self-perception and relationships.