The indie scene before Britpop: either you had it or you didn’t, with sweat, smoke, and sonic extravagance.

Photographer Joe Dilworth recently had a conversation with a drummer from a successful British rock band, which led him to reflect on the state of music in the 21st century. He started thinking about the bands he had photographed in north London in the late 80s and early 90s, capturing moments from small gigs in dingy pubs and humble living conditions. These photographs are now compiled in a book titled Everything, All at Once Forever.

Some of the bands he photographed went on to achieve cult success, while others faded into obscurity. Regardless of their fate, it was unlikely that anyone would have invested significant sums of money in them. Each band had a unique sound, challenging the norms of mainstream music. Back in the late 80s, forming a band like this was seen as a rejection of commercial success and societal expectations.

The photographs in the book capture a gritty and vibrant era in north London, where live music venues exuded a distinct aroma of cigarette smoke, sweat, and stale beer. The pubs reflected a time before gentrification, where patrons lived off the dole and could squat rent-free. Bands like My Bloody Valentine found a haven in London due to its affordability, even if it meant living in less-than-desirable conditions.

The photos cover the period until 1993, marking the rise of Britpop and a shift towards a more commercialized music industry. Some bands adapted to the changes, while others disbanded or disappeared. My Bloody Valentine, for example, signed a lucrative deal but took 22 years to release another album, showcasing a blend of perfectionism and defiance.

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Everything, All at Once Forever encapsulates the rebellious spirit of a bygone music scene, where artists prioritized authenticity over commercial success. The book serves as a visual time capsule of a raw and unfiltered era in north London’s music history.

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